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Music

Interview: AWOOGA

Review: The Vaccines – Combat Sport

Review: Superorganism – Superorganism

Coming of Age: We meet Dusky & Lo Shea

TRAMLINES 2018: SECOND LINEUP ANNOUNCEMENT RELEASED

Gig Review: Postmodern Jukebox @ O2 Academy

Melody Maker: Mella Dee chats Donny and 90s rave tapes

Bez on Happy Mondays, Madchester and what twists his melon in 2018

Blancmange’s Neil Arthur: “Not for one minute would I want to hold onto or harness something that holds me in this retro-nostalgic world”

Interview: Tom Grennan

Leadmill announces George Ezra @ Don Valley

Pumpin’ On Mi Stereo: Miles Davis – Birth of the Cool

Women of the Seven Hills head to Yellow Arch

Mosborough Festival lineup has dropped

MGMT ‘Little Dark Age’ review: soul(less) pastiche and fallback smart-arsery

Review: MGMT – Little Dark Age

Babybird announce Sheffield gig

Gig review: Jorja Smith hypnotises crowd at the Leadmill

TRAMLINES 2018: FIRST LINEUP ANNOUNCEMENT

Review: Abstract Orchestra ‘Dilla’ + Illa J

Or:la heads up our first ever Nightlife Special

Stay in focus: The importance of good band photography

PREMIERE: New Wulfman Fury Track – ‘Blades and Owls’

My Sheffield Album

We should be excited about Tramlines moving to Hillsborough, here’s why.

Tramlines announces huge changes for the 2018 festival

Review: Ikari Warriors – Sundowner

February Album Reviews

Something in the Works: an Interview with Hope Works curator/resident Lo Shea

The Magic Gang: “Sheffield is one of our favourite places to play”