An interview from quarantine with Rosey PM
The Blinders’ Thomas Haywood on Bob Dylan, his creative process and self isolation
Hinds on Brexit: “There’ll be a less interesting scene. It sucks!”
Coronavirus Sheffield live blog: Support our independents!
Review and interview: The K’s @ The Leadmill
The Leadmill to auction off Arctic Monkeys-signed guitar made from old dancefloor
Enter Shikari: “We wanted a rowdy one to start the tour and the Leadmill seemed like the perfect place.”
Live review: Blossoms @ O2 Academy Sheffield 2020
Future Jazz returns to Yellow Arch this weekend
Exposed Awards 2020: Vote NOW!
The Rosadocs @ The Leadmill
Interview: The Lughole on new venue, building community and how you can help
Children of the State: “We just wanted to let the dust settle for a while and ensure we had something to say when we returned…”
Stereophonics @ FlyDSA Arena
Album Review: Helen McCookerybook – PEA SOUP
Café Totem to open new gig venue and launch record label
Review: APRE @ Record Junkee
Review: Animal House / Alpaca Factory / The Senates @ Cafe Totem
Tramlines 2020: First Lineup Announcement
Interview: Women of the Seven Hills returns next month
Synth and Sleaze: A tour of Flanagan’s Attercliffe
Review: Slipknot @ FlyDSA Arena
ADULT ENTERTAINMENT: “It was important to do something a bit cerebral, but also slightly more menacing and something you can dance to”
Tsarzi: ”I’m essentially a people watcher masquerading as an artist.”
Bombay Bicycle Club: ‘You’ve got to find the good things amongst the bad.’
The Sundowns live @ Network
Bleep and Bass: How Sheffield helped shape British dance music
2019: Best of Exposed In Sesh!