Enter Shikari: “We wanted a rowdy one to start the tour and the Leadmill seemed like the perfect place.”
Live review: Blossoms @ O2 Academy Sheffield 2020
Future Jazz returns to Yellow Arch this weekend
Exposed Awards 2020: Vote NOW!
The Rosadocs @ The Leadmill
Interview: The Lughole on new venue, building community and how you can help
Children of the State: “We just wanted to let the dust settle for a while and ensure we had something to say when we returned…”
Stereophonics @ FlyDSA Arena
Album Review: Helen McCookerybook – PEA SOUP
Café Totem to open new gig venue and launch record label
Review: APRE @ Record Junkee
Review: Animal House / Alpaca Factory / The Senates @ Cafe Totem
Tramlines 2020: First Lineup Announcement
Interview: Women of the Seven Hills returns next month
Synth and Sleaze: A tour of Flanagan’s Attercliffe
Review: Slipknot @ FlyDSA Arena
ADULT ENTERTAINMENT: “It was important to do something a bit cerebral, but also slightly more menacing and something you can dance to”
Tsarzi: ”I’m essentially a people watcher masquerading as an artist.”
Bombay Bicycle Club: ‘You’ve got to find the good things amongst the bad.’
The Sundowns live @ Network
Bleep and Bass: How Sheffield helped shape British dance music
2019: Best of Exposed In Sesh!
Album review: Fred Deakin – The Lasters
Album review: AM Jazz – Jim Noir
EPB’s Big Shaun: “Sheffield is the hidden jewel in the crown of the north, once discovered, always loved.”
Oh Papa and Before Breakfast come together on ‘Magnetic’
It’s CHRIStmas: Kammy on his festive new album