Franz Von on new EP: “As a community, getting together as one person, we have so much more power”
Clams in their Eyes: the (in)famous NYE extravaganza returns!
Classical Sheffield announce live orchestra Christmas shows
Plans to transform former gas company offices into an all-new music hub given green light
REVIEW: Lightning Seeds @ Leadmill
REVIEW: Amyl and the Sniffers @Leadmill
Tramlines brings multimillion-pound benefit to the city and directly funds over 40 local organisations
Here comes Acid Klaus: Stepping on the sonic travelator with Adrian Flanagan
REVIEW: Femur @ Yellow Arch
Slambarz co-founder Dominic Heslop: “live shows, performances and bass shows where young people can connect in a safe space”
Get Together festival announces move to Kelham
Sky’s the Limit: Standing at the Sky’s Edge writer Chris Bush on returning Park Hill musical
New gig and event space breezes into former Sheffield works with illustrious musical heritage
“We were fuelled by white-hot anger and a burning desire for revenge” – Martyn Ware on new memoir ‘Electronically Yours’
Review: Arctic Monkeys – The Car
Huge rave featuring Low Steppa heads to Peddler
“In that moment, I saw how far I have come and the lessons I have learnt up until that point” – Charlotte Branson on her upcoming Sheffield gig
“We were born out of the underground culture of this city; we are rooted in it” – No Bounds founder Liam O’Shea on this year’s festival
Working Men’s Club return to Sheffield with a headline slot at No Bounds Festival
Arctic Monkeys – AM in Retrospect
REVIEW: FRANK TURNER & THE SLEEPING SOULS @ O2 ACADEMY
REVIEW: FØRGE OPENING NIGHT FT. BOXIA, IMOGEN AND DAX J
REVIEW: The Big Moon @ Leadmill
Local artist John Wilsher raises awareness for Assist Sheffield with new exhibition
My Life in Music: Liam O’Shea
Review: Dance in the Gardens – No Time Like The Present
New FØRGE nightclub announces opening date
