A monthly look at the people behind the pictures – Sheffield’s photographers on their creative journeys, what drives their work and how the city shapes their lens.
What first sparked your interest in photography – was there a moment or influence that pushed you to pick up a camera?
I’ve always had some interest in photography as a subject, as my grandad always used to show me what he’d captured, but I never fully got into it again until my mum passed away. I found myself pretty lost and needed a distraction – taking photos gave me that. I felt like I’d found my purpose again, and it reignited that creative passion in me that was always there. It had just fallen asleep for a while.
Your work often captures everyday life and working-class culture with a raw, honest lens. What stories or themes are you most drawn to?
I’m drawn to the history of landmarks that connect to the working-class history of an area, the local people themselves and the stories that can be told – as well as capturing the character of those individuals.
How does fashion or street culture feed into your work – especially with subjects like football casuals and terrace culture?
It feeds into my work by showing the everyday working class expressing their passion through the love of football culture and style. There are so many characters that perfectly capture what it’s all about – showing their love and loyalty to their clubs – and it radiates through when I’m capturing it.
Are there particular photographers, films, music or other cultural stimuli that inspire your photography?
I find that music plays a big part in conveying the images I take, expressing a time or place that people can connect with. Nostalgia plays a big part in that too. I’d say the photographers who’ve inspired me and my work include Tish Murtha, Bill Stephenson, Tony Davis, John McDonald, Anne Worthington, Martin Parr and Rob Bremner.
Sheff clearly plays a big role in your work. What is it about the city that keeps you coming back with your camera?
It’s home. I’m a born-and-bred, passionate, council-born lass who loves to show off our people – our history – and what makes us who we are and what we enjoy.
Are there any spots in the city that you’re particularly drawn to or return to often?
I tend to venture all around. I wouldn’t say I have a particular spot as such – you can just catch someone on the off chance while walking about, or I’ll go off my own research and areas I know of, which can change each time.
You recently put out your first zine – congrats! Can you tell us a bit about that project and how it came together?
I decided a collection of work is always viewed best in zine form, as it’s a snapshot into what your work is about. I wanted to select a good variation of relatable images – be it from places to people – all mixed into one. This is my first volume, so there’s plenty more in the works. It was a bit nerve-racking putting it out into the wild to see how it would be received, but it seems to have gone down really well.
What’s next for Proper Skint – any new themes, collaborations or ideas you’re excited to explore?
I’ve recently just finished at an exhibition with a collective called We Love What You’ve Done with the Place, headed by Kieran Flynn and previously Melville’s baby – so possibly something more with those in the future. I’m still finding my feet, but the thing about my photography is you never know what’ll come next. The spontaneity of it keeps everyone interested – so I’ll keep you all guessing.
What advice would you give to young photographers trying to find their voice, especially those from working-class backgrounds?
You are worth something. Just because you might speak or dress a certain way, it doesn’t mean there isn’t more out there for you. Don’t listen to those who look down on you. Do it if you find enjoyment in it – prove them wrong and do what feels right for you. Don’t feel like you should be confined just because of your class status. Find the right people, set out a plan of action and go for it.
