Vote Now in the Exposed Awards 2026

Interviews

Matic Mouth: “I hate politics, but I believe I am a person who speaks up if I see something wrong”

A Quickie With… Brother Gun

Interview: The Coral’s James Skelly

Peter Hook on the Hacienda Classical: “Precision combined with a wonderful bit of anarchy.”

Tramlines 2018: Exposed chats to Milburn

Interview: Children of the State

Universal Tree: Uniting the People

Still Hotsteppin’: Interview with The Hot Soles

My Life in Music: Rae Morris

Interview: Stereophonics

Steve Diggle of Buzzcocks: “You just sort of hope someone, somewhere, will come along and shake things up a bit.” 

Parklife Preview: Get to know Melé

Meet Roy Davis Jr.’s first signing in 16 years: Al Zanders

Return of the Mac: 5 minutes with Fleetmac Wood

Shame: “We don’t look at the finish line; we’re just looking at the next step.”

Time for Tino: We meet Sheffield’s freshest new 140 DJ

Interview: INK. talk debut EP, headline tour and wiping the slate clean

Homeward Bound: Sean McAllister Talks Doc/Fest and ‘A Northern Soul’

DJ at the Circus: We chat to Yousef

The Vaccines: “We wanted to scratch that itch and basically create the best record we ever have”

Pale Waves talk new music and sausage fests

5 Minutes with… the Turbans

5 Minutes with… CC:Disco

Otis Mensah on new tunes, being vulnerable and playing with Killah Priest

Interview: AWOOGA

Coming of Age: We meet Dusky & Lo Shea

Melody Maker: Mella Dee chats Donny and 90s rave tapes

Bez on Happy Mondays, Madchester and what twists his melon in 2018

Blancmange’s Neil Arthur: “Not for one minute would I want to hold onto or harness something that holds me in this retro-nostalgic world”

Interview: Tom Grennan