Interview with Sheffield’s Otis Mensah on new project #OtisMensahExists: “We’re all linked to our integration with the virtual world, especially in quarantine”
Ghostpoet: “I’m constantly questioning what it is to be human and what makes us tick”
Keeping on top of your mental health with Sheffield Flourish
An interview from quarantine with Rosey PM
The Blinders’ Thomas Haywood on Bob Dylan, his creative process and self isolation
Hinds on Brexit: “There’ll be a less interesting scene. It sucks!”
Review and interview: The K’s @ The Leadmill
Enter Shikari: “We wanted a rowdy one to start the tour and the Leadmill seemed like the perfect place.”
The Rosadocs @ The Leadmill
Interview: The Lughole on new venue, building community and how you can help
Children of the State: “We just wanted to let the dust settle for a while and ensure we had something to say when we returned…”
Interview: Women of the Seven Hills returns next month
ADULT ENTERTAINMENT: “It was important to do something a bit cerebral, but also slightly more menacing and something you can dance to”
Tsarzi: ”I’m essentially a people watcher masquerading as an artist.”
Comedy: John Shuttleworth @ the Lantern Theatre and The Crucible
Bombay Bicycle Club: ‘You’ve got to find the good things amongst the bad.’
Bleep and Bass: How Sheffield helped shape British dance music
2019: Best of Exposed In Sesh!
EPB’s Big Shaun: “Sheffield is the hidden jewel in the crown of the north, once discovered, always loved.”
It’s CHRIStmas: Kammy on his festive new album
“The only issue is that I have to try and better each show every year. Anyone got McCartney’s number?” – Joe Carnall on his upcoming Christmas bash
Review and Q&A with Only Sun
LIO: “My songwriting always comes from a place of honesty”
My Life in Music: Catherine Carr (Rafiki Jazz)
Kate Tempest interview: “What I’m trying to express is something bigger, something more universal”
The Reytons @ O2 Academy Sheffield
In interview with Floodhounds
Simon Reeve: “We are too connected as people now to ignore the rest of the world”
