Sheffield artist Melville shares a range of insights into hometown influences, evolving creative styles and the unique process behind their hard-hitting collage method.
Could you tell us a bit about your background and how your artistic journey began?
From an early age, I’ve always loved being creative. This led me to study graphic design at Sheffield Hallam. I had some of the best and worst moments there, but I really didn’t enjoy the course and the lecturers. Unfortunately, it killed my passion for creating art. I flitted in and out, doing odd bits, but for the next eight years, I didn’t practice anything art-related. After lockdown, I had a few life-changing moments which made me realise that I needed to do something creative again and give it another go. Even through the period of not doing any art, I’d still been scrapbooking. Subconsciously, I probably had been using this as my creative outlet. So when I started again, the collage work was an easy progression.
Your collage method is an interesting, often quite visceral way to present your work. What first attracted you to this medium?
My artwork is definitely very instinctive. Although I do usually have a plan or subject matter in mind when I’m creating my collages, it does have this unpredictability which I really love and it takes on a life of its own. I’ve always been a fan of collecting and scrapbooking throughout my adult life. It’s more of a visual diary for me as I’m not good with words. The scrapbooks would include gig tickets, club flyers, artwork from other artists, and anything that meant something to me. The visual diaries were inspired by Pete Doherty’s The Books of Albion.
Are there specific themes or messages you aim to convey through your art?
My aim in all my work is to show the realities of society, to portray everyday life in towns and cities. I’m inspired by the underbelly of society. In a way, my work is just a social observation of life. I love to visit new countries and learn about the culture, history and icons of those places.
Do you have any rituals or routines that contribute to your creative process?
Routine is always a big part of my working process. Because most of the artwork is made up of my own photos, I make sure I allow myself time every weekend to explore the different parts of our cities. This is so that I’m able to gather enough material for future works and projects. I always make sure I note down any ideas straight away, as I’ll often forget things. Also, a good way to get into a routine of photographing ideas and images is in everyday life. For instance, a quick trip into the city centre, walking to your little shop, if you’re meeting friends for a few drinks at the weekend. Every time you go out, it’s an opportunity to get new material.
Has your style grown or shifted over time? If so, how?
My style has definitely grown a lot in the last few years. I believe that working hard and dedicating yourself to your craft inevitably brings changes to your creative practice. Having had the chance to work on some amazing commissions for the likes of Bring Me The Horizon, While She Sleeps and Popular Front, your confidence gains a massive boost, and that reflects in the artwork you’re creating.
Being a Sheffield-based artist, how has the city itself influenced your work?
Coming from a Sheffield council estate, my hometown has had a massive influence on my work. Growing up as a kid on your average city estate, you used to see all sorts of situations happening – from drunken fights, joyriders, police helicopters, to police dogs searching in your back gardens. As a kid, it was kind of exciting to witness it all going off from the safety of your bedroom window. I’m aware that’s probably where my social observation began. It wasn’t all negative things, though, as where we lived had a real sense of community spirit.
What are you working on at the moment? Are there any goals that you’d like to hit in 2024?
I have a couple of ongoing projects that will hopefully be finished soon, so I can achieve one of my first goals of the year – having my first solo exhibition. It’s something I’ve put off for a while, but I think now’s the time to take the plunge. This will include a load of original works and photography from me, along with an accompanying video with my videographer mate (@bloodshotincorporated). The other goal is to carry on working with other creatives, as that’s what I enjoy the most.
Finally, what advice would you give to emerging artists who are just starting their creative journey?
I’d say stick with it, put all your effort into what you’re doing creatively. At the same time, if something’s just not working, don’t be afraid to start again and pursue another creative outlet or project. The main thing is you’ve got time on your side. With hindsight and life experience, it took me a long time to realise this. I think most of all, your work ethic and motivation are the most important things.
