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The Necessary Death Of Charlie Countryman – Review

Self-proclaimed as a “psychological romantic dramedy”, it’s worrying that such a baffling genre description manages to be only slightly less pompous than the film being described. The story of a grieving twentysomething who ventures to Bucharest and becomes mixed up with a mobster’s wife, The Necessary Death Of Charlie Countryman is ultimately nothing more than a mind-numbingly dull exercise in cinematic pretension.

Throwing himself head-first into the role, it’s hard to find fault in Shia LaBeouf’s performance; the titular character himself however is another matter entirely. A thinly sketched caricature of a rounded human being, Countryman himself is symptomatic of a film so immersed in its indie-hipster sensibilities that it becomes increasingly difficult to pick out much of a plot – despite the third act ramping up momentum in a very half-hearted attempt to do so.

Following Nymphomaniac, it’s another baffling choice for a baffling actor; but The Necessary Death Of Charlie Countryman isn’t baffling, it’s just rubbish.

Catch Van Connor’s reviews in our Movies section and live on Slam Dunk Cinema every Saturday at 12PM on Sheffield Live! 93.2FM or on the podcast via iTunes.

In it
Shia LaBeouf, Evan Rachel Wood, Mads Mikkelsen
Behind it
Frederik Bond




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