REVIEW: Astrels – The Velvet Sea & The Afterglow
REVIEW: DIMITRI – Probably a Metaphor
Mat Hook on returning to the live scene: “I always have an unshakeable expectation that I’ll nail any live gig”
Milburn reform for special one-off show at Don Valley Bowl
“I wanted a taste of something new”: Otis Mensah on move to Berlin and ‘Winterskin’ release
Rock N Roll Circus announces 2024 return and first headliner
Sheffield Cathedral to put on world first lightshow
UK’s biggest celebration of black music and culture comes to Sheffield for first time
REVIEW: Folk in the Fly Tower @ Abbeydale Picture House
REVIEW: Astrels @ Church – Temple of Fun
REVIEW: Mickey Nominono @ Sheffield General Cemetery
November: Music top picks
Through the Lens: Benji Wilson
REVIEW: Femur, Drastic//Automatic and Any Old Iron @ Yellow Arch
Partying without the hangover? The first DAY FEVER promises the perfect daytime session for over-30s
Gig preview: Dreamflower Collective’s electric re-interpretation of ‘Awaken! My Love’ @ The Foundry
Astrels’ Steve Edwards on ‘Sheffield Space Opera’: “Even though I’ve been doing music for a long time now, this is one of the most exciting things I’ve worked on”
Review: DEADLETTER @ Yellow Arch
Sensoria Review: “A festival which celebrates creativity and technical innovation”
The Secrets to Organizing a Successful Live Music Show for Your Corporate Event
Review: Chemtrails @ Samuel Worth Chapel
Popular city-centre nightclub returns from the dead for Halloween
“If you want to have a good time, come down to one of our gigs” – interview with Galloping Dick
My Life in Music: Lavelle
REVIEW: Drastic//Automatic @ Shakespeares
INTERVIEW: “We were very close to dissolving away” – From Punk to Pulp with Nick Banks
“Each song represents a different part of myself” – Sheffield-based soul/pop artist abs discusses her debut EP release
Tickets For Good launches first nationwide Ticket Bank
Campaign to Save The Leadmill ramps us as Public Hearing looms