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Music

REVIEW: Astrels – The Velvet Sea & The Afterglow

REVIEW: DIMITRI – Probably a Metaphor

Mat Hook on returning to the live scene: “I always have an unshakeable expectation that I’ll nail any live gig”

Milburn reform for special one-off show at Don Valley Bowl

“I wanted a taste of something new”: Otis Mensah on move to Berlin and ‘Winterskin’ release

Rock N Roll Circus announces 2024 return and first headliner

Sheffield Cathedral to put on world first lightshow

UK’s biggest celebration of black music and culture comes to Sheffield for first time

REVIEW: Folk in the Fly Tower @ Abbeydale Picture House

REVIEW: Astrels @ Church – Temple of Fun

REVIEW: Mickey Nominono @ Sheffield General Cemetery

November: Music top picks

Through the Lens: Benji Wilson

REVIEW: Femur, Drastic//Automatic and Any Old Iron @ Yellow Arch

Partying without the hangover? The first DAY FEVER promises the perfect daytime session for over-30s

Gig preview: Dreamflower Collective’s electric re-interpretation of ‘Awaken! My Love’ @ The Foundry

Astrels’ Steve Edwards on ‘Sheffield Space Opera’: “Even though I’ve been doing music for a long time now, this is one of the most exciting things I’ve worked on”

Review: DEADLETTER @ Yellow Arch

Sensoria Review: “A festival which celebrates creativity and technical innovation”

The Secrets to Organizing a Successful Live Music Show for Your Corporate Event

Review: Chemtrails @ Samuel Worth Chapel

Popular city-centre nightclub returns from the dead for Halloween

“If you want to have a good time, come down to one of our gigs” – interview with Galloping Dick

My Life in Music: Lavelle

REVIEW: Drastic//Automatic @ Shakespeares

INTERVIEW: “We were very close to dissolving away” – From Punk to Pulp with Nick Banks

“Each song represents a different part of myself” – Sheffield-based soul/pop artist abs discusses her debut EP release

Tickets For Good launches first nationwide Ticket Bank

Campaign to Save The Leadmill ramps us as Public Hearing looms

INTERVIEW: Tom Daggett