Film Archives - Page 17 of 17 - Exposed Magazine

Nightcrawler – Review

The directorial debut of writer Dan Gilroy, there’s a distinct air of “Urban Cronenberg” to Nightcrawler that – when coupled..

Film

31 Oct
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Ouija – Review

A futile exercise in the soul-crushing nature of conveyor-belt horror flicks, the most interesting aspect of the decidedly seen-it-all before Ouija..

Film

31 Oct
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Horns – Review

Hugely anticipated, Alexandre Aja’s adaptation of Joe Hill’s cult-fave novel is a sublime mixture of dark fantasy, murky drama and..

Film

29 Oct
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Love, Rosie – Review

Aiming squarely for the bubblegum fluff level that served P.S. I Love You – with which it shares it’s source..

Film

24 Oct
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Fury – Review

An unashamedly traditional Hollywood war movie, there’s a sense of immersion and authenticity to Fury that bolsters an otherwise perfectly..

Film

24 Oct
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Alexander And The Terrible, Horrible, No Good, Very Bad Day – Review

In a day and age in which children are saddled with either 12A action flicks or computer-animated cinema offerings, there’s..

Film

24 Oct
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The Best of Me – Review

Considering it only took three movies before M. Night Shyamalan’s cinematic gimmick of employing a twist became ripe for parody,..

Film

17 Oct
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Teenage Mutant Ninja Turtles – Review

Possibly the most dreaded reboot of any to roll off the 21st century Hollywood assembly line, it’s of note that..

Film

17 Oct
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Open Windows – Review

“It always makes sense in the end,” we’re told midway through cult Spanish filmmaker Nacho Vigalondo’s Open Windows; which –..

Film

17 Oct
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Sheffield Doc/Fest Online Reviews: Stolen Fish, Back Yard, Concrete Forms of Resistance, The Go Go’s, The Story of Plastic, Uproar

“I’m sure I’m not alone in not realising how important these early experimentations were” – Director Lisa Rovner on Sisters With Transistors

Showroom Cinema targets a September reopening

Confronting racism on screen

The Village Screen to stream an 80s classic this weekend

Kirk Douglas – the best of a Hollywood giant

ShAFF returns – with a rebellious streak!

Film Reviews – Jojo Rabbit, La Dolce Vita (1960) re-screened

Ken Loach: “The rise in the working poor is a huge feature of our society that we tend to ignore.”

Review: Britishness

The Full Monty: Some of the best experiences in Sheffield

Sheffield: Set City – Films and TV Series filmed in the Steel City

Doc/Fest 2019 Film Review: Once Aurora

Our Most Brilliant Friends: Slow Club documentary adds extra date & Rebecca Taylor Q+A

Doc/Fest 2019 Review: Dark Suns

Doc/Fest 2019: “The idea was to show this different world within the city” – Rita Maia on Lisbon Beat

“Racism is alive and kicking!” – Director Lanre Malaolu on The Circle

Preview: Doc/Fest 2019

“We had to handle this one delicately” – Warp Films producer Mark Herbert on The Virtues

Sir Bradley Wiggins, Kate Nash and Werner Herzog join Doc/Fest line-up

The Village Screen to host nostalgic film fest at the Devil’s Arse

The Leadmill to celebrate 25 years of Pulp Fiction

Championing women in film: Reclaim the Frame is coming to Sheffield

Film Reviews – Alita Battle Angel, Happy Death Day 2U

Handmade Cinema to bring classic dinosaur films to life

Oscars 2019: Will Bohemian Rhapsody win Best Picture and Best Actor?

2019 in Film

The Village Screen is bringing a Christmas cinema to Sheffield

Open-Scare Cinema: Exposed attends Village Screen’s Halloween special

A guide to Halloween in Sheffield

Review: A Star is Born

Village Screen cancel Grand Budapest Hotel event at Kenwood Hall

Embracing Life: CK Goldiing on 61 Hugs documentary

Here’s why Logan is so much more than just a modern superhero movie

REVIEW: Luna Cinema

Spike Lee’s BlacKkKlansman review:

Sheffield Library Members can access free Doc/Fest Films

YARDIE Preview Screening and Streamed Q+A with Idris Elba at Showroom Cinema

Review: Conny Plank: The Potential of Noise

Review: Island – Documentary

Review: Incredibles 2

Open-air showing of The Grand Budapest Hotel coming to Kenwood Hall

Doc/Fest 2018: That’s a wrap!

Doc/Fest Reviews: Time Trial, What Is Democracy? and The Silence of Others

Mass Trespass: Q+A with filmmaker Jordan Carroll

My Friend Dahmer: Interview with Director Marc Meyers

Bringing Jamie Home: Casting Call for Young Sheffield Stars

Reassessing A Classic – A Fistful of Dollars

Village Screen announce film showings at Devil’s Arse

Film Review: Boy Who Likes Girls

Interview with BEAST director Michael Pearce

Homeward Bound: Sean McAllister Talks Doc/Fest and ‘A Northern Soul’

‘Tomb Raider’ – Alicia Vikander brings punch to the new Lara Croft

Review: Sheffield-based boxing drama Journeyman (plus Q&A with Paddy Considine)

The Best and Worst of Disaster Movies

Doc/Fest 2018 announces live performance premieres

Review: DVD Release of The Snowman (2017)

Review: The Shape of Water

A Fantastic Woman: Oscar-nominated LGBT film coming to Showroom

Review: Black Panther

Darkest Hour and Churchill: Oldman’s finest show, Cox’s forgotten moment

Review: Three Billboards Outside Ebbing, Missouri

Review: Darkest Hour

Review: The Disaster Artist

Review – Star Wars: The Last Jedi

Light Cinema Sheffield Celebrates Christmas

Murder on the Orient Express — “A frivolous, endearing tale”

Micro Comic Con comes to Kelham Island!

Sensoria 2017: A week of events, reviewed

How to make a movie: Tips from a Sheffield film-maker

Inside Light Cinema Sheffield

Interview: Peter Mackie Burns – Director of DAPHNE

Sensoria Music & Film Festival

The Top Movies of 2017 So Far

Film Review: Detroit

Film Review: The Dark Tower

Film Review: Atomic Blonde

Film Review: The Big Sick

Film Review: Dunkirk

Film Review: The Beguiled