Doc/Fest 2019 Film Review: Once Aurora
Our Most Brilliant Friends: Slow Club documentary adds extra date & Rebecca Taylor Q+A
Doc/Fest 2019 Review: Dark Suns
Doc/Fest 2019: “The idea was to show this different world within the city” – Rita Maia on Lisbon Beat
“Racism is alive and kicking!” – Director Lanre Malaolu on The Circle
Preview: Doc/Fest 2019
“We had to handle this one delicately” – Warp Films producer Mark Herbert on The Virtues
Sir Bradley Wiggins, Kate Nash and Werner Herzog join Doc/Fest line-up
The Village Screen to host nostalgic film fest at the Devil’s Arse
The Leadmill to celebrate 25 years of Pulp Fiction
Championing women in film: Reclaim the Frame is coming to Sheffield
Film Reviews – Alita Battle Angel, Happy Death Day 2U
Handmade Cinema to bring classic dinosaur films to life
Oscars 2019: Will Bohemian Rhapsody win Best Picture and Best Actor?
2019 in Film
The Village Screen is bringing a Christmas cinema to Sheffield
Open-Scare Cinema: Exposed attends Village Screen’s Halloween special
A guide to Halloween in Sheffield
Review: A Star is Born
Village Screen cancel Grand Budapest Hotel event at Kenwood Hall
Embracing Life: CK Goldiing on 61 Hugs documentary
Here’s why Logan is so much more than just a modern superhero movie
REVIEW: Luna Cinema
Spike Lee’s BlacKkKlansman review:
Sheffield Library Members can access free Doc/Fest Films
YARDIE Preview Screening and Streamed Q+A with Idris Elba at Showroom Cinema
Review: Conny Plank: The Potential of Noise
Review: Island – Documentary
Review: Incredibles 2
Open-air showing of The Grand Budapest Hotel coming to Kenwood Hall
Doc/Fest 2018: That’s a wrap!
Doc/Fest Reviews: Time Trial, What Is Democracy? and The Silence of Others
Mass Trespass: Q+A with filmmaker Jordan Carroll
My Friend Dahmer: Interview with Director Marc Meyers
Bringing Jamie Home: Casting Call for Young Sheffield Stars
Reassessing A Classic – A Fistful of Dollars
Village Screen announce film showings at Devil’s Arse
Film Review: Boy Who Likes Girls
Interview with BEAST director Michael Pearce
Homeward Bound: Sean McAllister Talks Doc/Fest and ‘A Northern Soul’
‘Tomb Raider’ – Alicia Vikander brings punch to the new Lara Croft
Review: Sheffield-based boxing drama Journeyman (plus Q&A with Paddy Considine)
The Best and Worst of Disaster Movies
Doc/Fest 2018 announces live performance premieres
Review: DVD Release of The Snowman (2017)
Review: The Shape of Water
A Fantastic Woman: Oscar-nominated LGBT film coming to Showroom
Review: Black Panther
Darkest Hour and Churchill: Oldman’s finest show, Cox’s forgotten moment
Review: Three Billboards Outside Ebbing, Missouri
Review: Darkest Hour
Review: The Disaster Artist
Review – Star Wars: The Last Jedi
Light Cinema Sheffield Celebrates Christmas
Murder on the Orient Express — “A frivolous, endearing tale”
Micro Comic Con comes to Kelham Island!
Sensoria 2017: A week of events, reviewed
How to make a movie: Tips from a Sheffield film-maker
Inside Light Cinema Sheffield
Interview: Peter Mackie Burns – Director of DAPHNE
Sensoria Music & Film Festival
The Top Movies of 2017 So Far
Film Review: Detroit
Film Review: The Dark Tower
Film Review: Atomic Blonde
Film Review: The Big Sick
Film Review: Dunkirk
Film Review: The Beguiled
Film Review: War for the Planet of the Apes
Film Review: Spiderman Homecoming
Film Review: Gifted
WIN 3 PAIRS OF TICKETS TO LUNA CINEMA
Win 4x IMAX tickets for Dunkirk Opening Weekend
Film Review: Baby Driver
Sky Weddings: Capturing the Moment
Doc/Fest 2017: Spookers Fright Night
Doc/Fest 2017 Review: Queerama
Doc/Fest 2017 Review: Armed With Faith
The Doom Doc: Showroom Premiere
Who said the UK couldn’t do outdoor cinemas?
Doc/Fest Preview: Geek Girls
Luna Cinemas To Bring Open Air Cinema to Sheffield
Film Review: Snatched
Film Review: Colossal
Doc/Fest 2017: What’s On?
Sheffield musicians back new award from Sensoria Festival
Film Review: The Boss Baby
UK Green Film Festival heading to Showroom Cinema
The Yorkshire Silent Film Festival
Film Review: Fast & Furious 8
Upcoming films for April 2017
5 TV Dramas you need in your life right now
Review: Get Out
Sheffield Adventure Film Festival 2017
Best Throwback Films on Netflix
Film Review: The Lego Batman Movie
Film Review: Jackie
Film Review: Hacksaw Ridge
Film Review: Live By Night
Film Review: Manchester by the Sea
5 films to look out for in 2017
Film Review: Rogue One: A Star Wars Story
What we know about the Wonder Woman movie
Film review: Arrival
Film review: Defector
Doc/Fest announces new addition
Film review – The Magnificent Seven
Gary Numan: Android in La La Land
Films That Should Produce VR Games
Review: Doc/Fest 2016
Interview: Two Trains Runnin’ filmmakers
Abbeydale Picture House screens West Side Story
Film Review – Captain America: Civil War (12A)
2 Weeks 2 Make It
Crime: Hong Kong Style
Film Review: Deadpool (15)
Pop-Up Cinema Alternative Valentine’s Film Weekend
Five of the funniest viral videos in 2015
Review – Star Wars: The Force Awakens
The Force Awakens
Cineworld’s new VIP experience
Film Review: The Closer We Get
Interview: The Closer We Get
Film Review: Spectre (12A)
UTNS Sensoria 2015 Preview
Review: In The Nursery – The Fall of the House of Usher
HorrorCon Hits Sheffield
Sheffield Movie Park
Laura Mvula at the Paradiso
Preview: The Duke of Burgundy
Drop Dead X Gremlins
Kingsman: The Secret Service – Review
SHAFF Set For Showroom
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Originally intended to be released to coincide with the 100th anniversary of World War I, it’s a great shame that..
With the sharp drop in intelligence the Taken series displayed in the leap from the first movie to the second,..
There’s something fitting about Into The Woods being adapted from a stage musical by Stephen Sondheim; for – like the..
Given the somewhat deranged mentality of the real John du Pont, it’s very curious that Bennett Miller’s recounting of his..
Van Connor takes a look back at 2014 in film… and ultimately ahead to what he hopes will be a..
The Fabulous Baker Boy: Exposed interviews James Corden. Taking the leading role in magical new Disney movie Into The Woods,..
On paper, the idea of remaking Annie is borderline idiotic. Except that it’s not actually a remake. You see, as..
Having made its debut at last year’s Toronto International Film Festival, Arie Posin’s independent romantic drama is never short on..